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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 1 No 2 (2016): Open Issue" : 6 Documents clear
Harmoni dan Narasi Kosmos Iqbal Prabawa Wiguna
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.741

Abstract

For all his life Johannes Kepler seeking for harmony. Kepler is best known for his laws of planetary movement. He is also a polymath working in the intersection between contemporary sciences such as astronomy, math, physics, optics, astrology, music theory, meteorology dan history. After spending years exploring those different disciplines, he later learned he was actually longing for the harmony. His fascination over harmony in nature kept growing up, in his last days Kepler was still trying to finish a book he started since he was still a scholar. This book is called Somnium. Somnium itself is the Latin word for 'dream,' a word that make sense if you read the whole chapter. The main idea for this project is Kepler’s fascination over the harmony in celestial object, thus he tried to convince people that Copernicus heliocentrism is the absolute truest way to understand how our solar system works. The idea of making narative came up to Kepler’s mind as he turned his research into a fiction, a story about a boy who makes his journey to the moon to help his mother for being accused of being a witch. Similiarly to the boy, Kepler’s mother is also accused for witchcraft. So Somnium was not really just a scientific book but in some part of them, there is also some biographical facts and fiction. By knowing the pattern in nature we can understand that the nature is in order and there is a grand design hidden in layers. Just like Kepler that are fascinated by the order of nature, 'Somnium' in this work is also talks about the pattern and harmony the curiousity for nature that represented in geometrical objet and natural study, and also about the old knowledge where science, art and spirituality is learnt through one form knowledge
Representasi Gender pada Seni Lukis Kreativitas Anak Muhammad Surya Gumilang
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.742

Abstract

Creative children paintings are not only meant as children's freedom of expressing their creativity in processing shapes and media. Moreover, the paintings can be creativity to read gender representation. Those paintings can read perfect gender representation. In addition children paintings can be seen by how representation of gender structures is in the object of children paintings, chosen color, idea that is expressed by the children. Therefore, seeing the creative children paintings will be seen how close the gender structures is in the paintings. This research used qualitative method with semiotic analysis approach. Result of the research shows that creative children paintings are read by three components of object meaning procedure, color, and idea, each phase of children growth can explain how gender is reflected in discourse representation.
Pengaruh Aspek Etnisitas pada Corporate Identity Batik Komar : Studi Kasus Interior Showroom Vidya Kharishma
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.738

Abstract

Ethnicity is an important aspect that influences the design concept of batik showroom in Indonesia. Element of ethnic in batik showroom is intended to increasing consumer knowledge of company's culture as well as providing strong image of the company (Corporate Identity). As a result, it will increase consumer willingness to buy the products and also merge the consumers and the company since they have the same interest in the culture. Corporate identity in batik showroom has a strong correlation with consumer behavior. The methods to observe its effect on the interior design were the psychology and cultural approaches. Consumer behaviour were observed and it is concluded that the influence of intangible and tangible of Javanese cultures really exist. The results display that ethnicity can affect all elements of interior design in batik showroom to introduce the corporate identity.
Ulos Ragi Hotang dalam Perubahan (Potret Evolusi Kebudayaan Batak Toba) Marissa Cory Agustina Siagian
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.743

Abstract

Ulos is Batak oldest cultural implementation in fabric, and mostly located in North Sumatra. In the life of Batak culture, Ulos fabric roled an important part in almost every daily activities of the community. Nowdays there is no longer Ulos fabric that woven with traditional looms, but replaced by modern looms were chosen as an alternative means of production by the weavers. Changes in the means of production used consequently has shaped Ulos generated design. Despite the shift, Ulos Ragi Hotang until today still used in traditional ceremonies as Ulos Hela, given by parents to their children. This research will parse the cultural effects that occur after the shift along with changes Ulos Ragi Hotang. This study used qualitative methods based on interpretative analysis results of visual culture through observation and interviews with a number of sources.
Eksplorasi Serat Nanas dengan Aplikasi Sulam Sashiko Nabila Fasza
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.739

Abstract

Indonesia is a tropical country that has wide variety of flora and fauna. Various kind of plants are used for many needs. Fiber is an important crop that can be used by human after food crops. Beside the fruit is harvested for consumption, pineapple plant left a lot of leaf waste because after two to three harvest time, the old plant will be replace with new plants. This research aims to exploit pineapple fiber as an alternative raw material for textile by applying Sashiko embroidery on the exploration results of pineapple fiber. Design development is done with pineapple fibers exploration by using mango leaves as natural dye and Sashiko embroidery as their surface design. Sashiko embroidery created ornaments that can be used as an aesthetic element in the field of fabric. Sashiko embroidery application on the exploration of pineapple fiber is expected to raise the aesthetic value of order and pineapple fiber with a new structure that is intended for fesyen products.
Rupa Ragam Hias Batik Bernuansa Islam Keraton Cirebon Setelah Masa Pra-Islam Aquamila Bulan Prizilla
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.740

Abstract

Ornament depictions on the archipelago batik fabrics are much influenced by foreign cultures. Indonesia as an Islamic country also majority diverse country with the world's largest Islamic population, but there are still many Indonesian people do not know how such a batik decoration Nusantara Islamic nuances and how the influence of Islamic culture. The Koran does not mention specifically the image or depiction of law. But batik decoration nuances of Islam Indonesia can be based on hadis, decoration that has a historical background of Islam, and the Islamic philosophical or told him about Islam. The study was confined to the nuances of Islamic ornament palace Cirebon batik after pre-Islamic times. With the goal on the basis of the preservation and dissemination of decorative nuances of Islam in the archipelago, in purpose that Indonesian can can be familiar with batik ornament which is has Islamic nuances, specially batik ornament from Cirebon palace pra-Islam which is has Islamic nuances. The study will use qualitative methods by means of a literature study, expert interviews and field surveys.

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